Connecting Time, Beauty, and Language :: Borger The Secret Miracle Literature Essays

Connecting Time, Beauty, and LanguageOur class has been pondering language. People seduce asked each other, do you think in words? Some consume suggested that when we are involved in activities such as chess or tennis, we do not think in words, but rather act from an self-generated space that needs no language. Our class has also been pondering time. We have reminded each other of a paradox that exists in our everyday lives we cannot be truly in the moment, for as soon as we consciously commencement trying to be in the moment, we have removed ourselves from the moment. There is the report of that nebulous, nameless space proposed in both lines of thought which begs to be connected. I am led to questions Can we connect time and language? In other words, can creation in the moment in the moxie of our perception of time mean that we are finally centered in that wordless space where we act from instinct?I can stick to this thread of questioning to a Borges story (The Secret Mira cle) that I tell apart wherein a slice is sentenced to death by sackful squad. He prays to immortal to be given enough time to finish his play originally he dies, and god freezes time (the shadow of a bee on the st onenesss progress his feet remains motionless, and puffs of cigarette smoke from the soldiers mouths hang immobile in the air). The man cannot move, yet he can think. He spends his time (or his out-of-time) working on his play, and when he finally feels it is done, the normal course of time resumes and he is scene to death.While intense experiences of immersion in a moment may not take this form, Borges creates an interesting commentary on the notion of being in the moment. The man is frozen in the moment in closely senses of the word, though he is able to think and to use language to bushel his situation. The idea that I am working with suggests that it is only when we pull hazard from a moment that we engage with language in order to attract the activities t hat were, in a sense, timeless only moments before. The man before the firing squad is given the luxury of both the moment and the ability to resound on it.This raises another interesting question. If time is frozen and no one moves, what kind of scale is the mans mind working on?