Saturday, June 20, 2020

Social Media Development Of Political Education In Thailand - 33825 Words

The Influences Of Social Media For The Development Of Political Education In Thailand (Dissertation Sample) Content: The influences of social media for the development of political education in Thailandby[your official name]PHD, [university], 2015Dissertation Submitted in Partial Fulfillmentof the Requirements for the Degree ofUniversity[last month of quarter you plan to graduate] 2015DedicationAcknowledgmentsAbstractTechnology has changed rapidly and with the change in technology the trends of people around the world have also changed. People all over the world have started to use the social media greatly. Thailand is no exception. With the ever-increasing influence of social media Bangkok has become one of the highest using Facebook population. Political education was however, first very much limited in the country but with the advent of technology and excessive usage of the Internet and social media a vast and diverse change has been noticed in the political education of Thailand. The population of Thailand now has more understanding of the meaning of democracy. However, democrac y is viewed differently in the rural and the urban areas. The social media has in many ways affected the knowledge of the people regarding the politics in Thailand. The citizens of Thailand now have that information which they did not have before about the politics and political personalities in Thailand. However, the effect is not only positive but has negative effects too thus increasing the cold war between the red shorts and the yellow shirts in Thailand. A in depth analysis of the situation is done as to see how the social media effects the youth and politics and citizens of Thailand.Table of ContentsList of Tables7List of Figures8Chapter 1: Introduction9Research Background9Thailands Social Media Battleground9Leading Social Networks in Thailand11Statement of the problem14 The Current state of Social Media In Thailand14Research Objectives17 Youth, Politics and Social Media in Southeast Asia: Trends, Events and Implications17Methodology22 Internet and So cial Media Usage in Thailand22 The Role of Online Social Media in Political Communication of Young Activists in Thailand29Scope and Limitations42 Trends in the Use of Social Media by Youth in Thailand42 Global Thinking47 European Thinking in Postmodernism50 Hypothesis53 The†¨Political Power of Social Media53 The Politics of Education in Thailand 56 Perceptions of Democracy among Thai Adolescents 60 Structure of Research Study70Chapter 2: Theory And Practice72Reshaping Education in Response to the High Demand of English Language 72 The Influences of Social Media for the Development to Political Education in Thailand76 Thailand Case Study in Education, Conflict and Social Cohesion78Trend of Facebook Usage Behavior and Impacts on the Attitudes Amongst Friends in Social Network Circle of Thai Youths: Case Study on College Students90Chapter 3: Conclusion Statement98 Political Science Educa tion transition from textbooks to practical implementations98 The Overall Feeling of Conflict and Discourse within Systems of Government, and the Analysis of Political Activity and Political Behavior in Thailand99The evolution of thinking from Modernism to Postmodernism in Political Science Education forced on by Social Media106Chapter 4: Recommendations109 Considerations of Social Media Usage Policy109 The Perception of Political Value in Thai Society112 Further study of Internet Use and Social Networking by Young Thais115References118Appendix122List of TablesTable 1. Penetration of Internet in South Asian Countries....17Table 2. Frequency of Facebook Login.....43Table 3. Time spent by a User on Facebook.....44Table 4. Number of Facebook Visits.....45Table 5. Frequency in 2011 and 2013....92Table 6. Average time per session......92Table 7. Interest in Friends Movement......93Table 8. Topics of Interest...94Table 9. Interests in Friends Movement.95Table 1. Over all Interests.96Table 1. Discourse in Political Parties in Thailand104Table 1. Topics of Discussion in 2010...106Table 13. Percent of Respondents Accepting alternatives to democracy in 2006115List of FiguresFigure 1. Population In Thailand using social media13Figure 2. Demographics of Thailand for Facebook and YouTube23Figure 3. Popular social networks in Thailand..24Figure 4. Digital statistical Indicators in Thailand....26Figure 5. Thai users time spent on Media..27Figure 6. Statistics of Mobile Phones in Thailand.28Figure 7. Ability to gain the access of the media..39Figure 8. Social media response in U.S.48Figure 9. How the adolescents of Thailand perceive the democracy69Figure 10. Political culture development.100Figure 11. Aspects influencing political culture and participation..101Figure 12. Factor effecting political attitude and behavior..103Chapter 1: IntroductionResearch BackgroundThailands Social Media BattlegroundIn recent years plenty of politicians in Thailand have st arted to use social media to promote politics. However, the urban population of Thailand has been using the social media to information about politics where as the rural population do not have much of an access to the social media. A survey was carried out in the year 2012 which showed that only one third of the Thailand's population had an access to the Internet. It was not until the 1990's that the media became free in Thailand. Before that the media came under the military dictatorship. However, even after the military rule some of the Major radio and television media came under the military rule. The journalists in Thailand however, tend to stay away from the sensitive topics. Freedom house is non-government organization that is U.S based. Freedom house rated the Thai media as being "not free" (Paireepairit, 2012). Before the social media, the people could not discuss political matters and give their views on political issues freely. It is due to the social media that now peopl e can openly discuss different issues, even those issues which the media does not discuss openly on television, newspapers etc (Park, 2014). Through the social media people now have a more easy access to information, books, articles which were banned in the country. This all means that the Thai society is moving towards a more democratic society.In the previous years, to avoid unrest and chaos in the country, the military took complete of the media and controlled what had to be screened on media. The opposition was completely suppressed. However, they could not control the Internet and social media where everyone could voice their opinions and address and discuss different matters (Paireepairit, 2012). The social media during this time became an instant connection with the public as people linked their blogs with their facebook and twitter accounts. In this way they would upload latest pictures and news of the political issues. As a result the military government had to find out awa y to control the access of Thai people to the Internet. Thus, thousands of websites had been blocked by the government excluding the social media websites (Park, 2014). In 2014 Facebook went down for a couple of hours, which created a negative air. However, it was up running after a few hours but proved that putting the social media down would not have any positive outcomes (Millward, 2013). Th...

Thursday, June 11, 2020

Damn Cat The Blasphemous Spirituality of Poes The Black Cat - Literature Essay Samples

In the tradition story-telling, few concepts are as popular as supernatural intervention into human life. These interventions typically feature a very familiar, nearly house-hold collection of descriptive forms: angels, demons, invisible kinetic forces, and even nature itself are all used as representations of divinity, and unknowable power. It is the mark of a true master to escape from this gallery of clichà © and craft details which make a unique statement; in Edgar Allen Poe’s short story The Black Cat, so much is accomplished in chilling, gruesome style. For Poe, the Christian concept of God is irrelevant, and he writes from a position of his own morality, in which there is no guardian, no benevolent light to guide souls from the path of darkness. There is only unstoppable, disembodied retribution, as the abuses of the narrator are punished not spiritually, in the next life, but in the present, with shocking violence. Following original sin, in which the narrator slices out one of his beloved cat Pluto’s eyes with a pocket knife in repayment of â€Å"a slight wound upon the hand† (Poe 30), madness rapidly begets madness, as patterns of destruction invert upon the narrator’s life and psyche. The lack of a clear antagonist in the story is essential. Pluto, alcohol, the house fire, and the gallows: distinct events and narrative aspects, each touched by an unspecified element of the supernatural, run together like the frames of a film reel, weaving a concept of spirituality in which evil is not a part of life, but a vast, looming framework in which the trappings of mortal life are but small parts. In The Black Cat, horror itself is the only God which Poe recognizes, fear is far from abstract, and morality is enforced not by a righteous, perfect creator, but through vicious twists of madness and fate. Key to a correct interpretation of this tale is the narrator’s devil-may-care regard for the concept of a rational explanation. In his own words, â€Å"I am above the weakness of seeking to establish a sequence of cause and effect, between the disaster and the atrocity† (Poe 31). There is no true sensible explanation for the image of the hung cat appearing in the wreckage of the sudden fire, just as there is no true sensible explanation for the mad swings of violent temper the narrator repeatedly experiences. Instead, a reader is forced to turn away from reality, to the world of the extra-sensory, the world of fate, insanity, fortune, and doom. In Poe’s imaginings, this second world is every bit as real as the first, fully capable of crossing boundaries of perceptions to leave a damning message on a crumbling wall, the breast of a cat, or at the bottom of a gin bottle. Of course, Poe is not merely a teller of ghost stories and bloody parables; his work The Black Cat is notably lacking in any formal theological or mythological structure in which to place the supernatural events which occur. In an ideologically mature literary decision, Poe shuns dogma, be it Christian or even Pagan, in favor of humanity’s ultimate boogey-man: the unknown. In addition, spare moments of irony, hidden between the actions packed lines of this brief tale, do much to illustrate its anti-Christian themes. It is no coincidence the first cat, Pluto, shares a name with the Roman god of the underworld; this parallel emphasizes the strength of superstition over traditional faith. Also, in a quiet instance of reflection following the murder of his wife with an axe, Poe’s narrator remarks, â€Å"I determined to wall it [the body] up in the cellar – as the monks of the middle ages are recorded to have walled up their victims† (Poe 33). This unusual portrayal of monks as having victims is not incidental, and the conversational tone serves to underline the sense of inexplicable comfort with which society accepts and overlooks the bloodier aspects of organized religion. Religious individuals themselves are not the only ones to fall under criticism; the essential Christian concept of man as uniquely holy is excellently satirized as the narrator laments, â€Å"A brute beast – whose fellow I contemptuously destroyed – a brute beast to work out for me ­ – for me a man, fashioned in the image of the High God – so much of insufferable wo!† (Poe 32) To conceive of a murderous, raving drunkard as sacrosanct, as being essentially removed by virtue of creation from the abject madness of the animal world, is laughable. Yet, in context, it is an intentionally bad joke, one to be met with quiet horror, eliciting new thought in regards to just what exactly elevates mankind from the cruelty of his environment. That is, if there ever has been any true elevation, at all. Edgar Allen Poe’s short story The Black Cat is a thematically rich, grisly tour-de-force, one in which concepts of alcoholism, vengeance, violence, and fate are tackled in raving triplicate. However, the story’s true brunt is carried in its twin absence of rationality, and of the presence of God. Miracles occur, as mere splotches of white fur change slowly into accusations of murder, but these miracles exist without an established faith to claim responsibility for them. Fear comes alive in The Black Cat, mocking the narrator as he builds about himself the house of his own demise. As to what is truly behind it all, Poe offers no answer, only the knowing implication that every choice, once chosen, carries inescapable consequence. Works Cited Poe, Edgar Allen. â€Å"The Black Cat†. Introduction to Literature. Ed. Manya Lempert. Tucson: University of Arizona. 2015. 29-35. Print.